Like the flesh itself, 
they are places of coming and going. 

            Before it closed its doors, 
            the warehouse on McTavish 

bore alphabetic scars 
up and down its walls, 

            vine traces like grafitti 
            praising sun and rain, 

odes to slow ascents 
of dusty brick that breathed 

            highway fumes before 
            the building was reborn 

as Richard’s Gentlemen’s Club 
in whose parking lot 

            tough old vines spread their legs 
            to strangle a chain-link fence, 

for nothing more than pleasure, 
you might think, if 

            by pleasure you mean simply 
            trying to stay alive.















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